The crisis in journalism is a business crisis, and it’s been going on for twenty years; the outcome remains far from obvious. Writers and editors at magazines and newspapers live with a perpetual sense of foreboding, which leads to plummeting self-confidence in their own work and a tendency to overestimate the new digital enterprises, or the new digitally rich owners of the old enterprises. It’s easy to feel that the very task of reporting and writing in depth, at length, and in complex detail is somehow to blame for their problems. It isn’t—but, faced with a deeply uncertain future, they become, in a phrase from Robert Stone’s novel “A Flag for Sunrise,” the mouse so scared it went to the cat for love. It shouldn’t be a complete surprise when the cat turns around and eats them, or, even worse, claws out their eyes with an inattentive swipe of the paw.